Daily Dish

The Daily Dish for Thursday March 7th, 2019 – Dispute The Text


Cybersecurity for the Public Interest [schneier /0] When you broaden the definition of Internet security, many additional areas fall within the intersection of cybersecurity and policy. Our particular expertise and way of looking at the world is critical for understanding a great many technological issues, such as net neutrality and the regulation of critical infrastructure. I wouldn’t want to formulate public policy about artificial intelligence and robotics without a security technologist involved

Cryptojacking  +450% since 2017  IBM Corp. threat report.

The attention economy is dead  But Fortnite might have the answer [verge/32]  But Epic’s real genius is in how it markets to the game’s young audience: Fortnite is, above everything else, a place to hang out with your friends. That’s why it isn’t weird that Weezer is playing unreleased songs on an in-game island, and nobody bats an eye when the DJ and producer Marshmello plays a concert in a virtual park. The game’s immense popularity, and its status as a hang-out spot, has its competitors in the attention economy worried. Last month, Netflix mentioned in its 2018 earnings report that “we compete with (and lose to) Fortnite more than HBO.” As Polygon noted then, Netflix sees the game as its “stiffest competition” because, to the streaming giant, the most valuable consumer metric is screen time. If people are playing Fortnite, they can’t be watching Netflix.

Europe’s AI start-ups often do not use AI, study finds [ft/15]  Two-fifths of Europe’s artificial intelligence start-ups do not use any AI programs in their products, according to a report that highlights the hype around the technology. (you have to eat your own dog food-ed)

FB pivot to privacy –  coverage pull-quotes emphasis mine. -ED

WSJ (40) By building an impregnable wall around large swaths of user conversations, Facebook also would in effect be limiting its own responsibility for policing content—an area where it has been investing billions of dollars in recent years in response to widespread abuse and misinformation on the platforms.

NYT (30) But none of those moves addressed the issue of public sharing. And in many ways, consumers were already moving en masse toward more private methods of digital communications.

FT (9) Facebook was weighing how to allow users’ messages and metadata to auto-delete after a certain amount of time, he said, and would only store data in countries where governments did not violate citizens’ privacy, even if this meant its services were blocked in those regions.

Guardian (14) “Privacy is really about the citizens’ right to control what is shared, and know the contexts in how it can be accessed,” he said. “Nothing has changed in terms of that control. Access to users’ data is still dictated by Facebook. And now the terms of service will expand to all of Facebook’s subordinate services and apps.”

TC (25) It’s different with privacy. Privacy is about philosophy. It’s about how you handle things from the start. Facebook effectively stole a whole bunch of shit over a long period of time, relying on intentional obfuscation, legal muscle and user ignorance to pull off the heist. Now, the company is trying to make it out of the store with all that contraband stuffed under its shirt before the security guard ambles back. Unfortunately for Facebook, its hands are stained with a decade and a half of data wrung out of a now cumulative 2.3 billion users.

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Lexicon : Some thoughts on why I started to prefer the term ‘spatial computing’ to ‘ [x] reality’ last year.  [twitter/1]

Software robots market including those that incorporate AI,  expected to grow to $2.9B by 2021, up from $250M in 2016, according to Forrester Research Inc. 

Arts

Everything Is Video For Rachel Rose, the Art World’s Screen Star [w/42] Next up for her is Enclosure, a joint commission for the Luma Foundation, in Arles, France, where it will premiere in early summer, and the Park Avenue Armory, in New York, where it will debut in 2020. The new piece, filmed with actors and a script, returns to the agrarian England of Wil-o-Wisp, but from a new perspective. “I was interested in the people who were seizing the land,” she says. “It has a very different narrative and aesthetic, but is also concerned with magic.” After that, she has still bigger plans: “I want to make feature films. It feels like a natural step for me to develop, especially because I’m so interested in story.” She considers the prospect, calm and steady. “Of course, that creates a whole different set of expectations.”


Privacy is Power